liclon
This performance is high energy It's sounds like they are having fun. The interplay between them is intense. But to my ear it has a upbeat light hardheartedness to it. Can't Stop listening. Won't stop listening.
John Cratchley
One of the most influential trio's the music has ever been blessed with...group interplay and mutual understanding doesn’t get much better than this, I think.
Evan Parker, Barry Guy and Paul Lytton – three legendary figures in the field of improvisation – have each developed their own epochal styles. These long-time friends and collaborators now present the latest of their Trio recordings – part of an ongoing series that began in 1980 with the now out-of-print LP 'Tracks'. Their powerful improvisations reveal them as a trio of unyielding innovation, both conserving and constantly renewing a rich heritage of achievement in free jazz.
Evan Parker writes in the liner notes: "Collective free improvisation is the utopian state arrived at in that other «little life» as the late John Stevens called the mental space of music making that happens when musicians of a like mind («birds of a feather») play freely together. Paul Lytton and I first met in 1967 at a music festival in a park in Birmingham where I was playing in duo with John, Paul was playing with a jazz big band and Peter Green’s Fleetwood Mac were «topping the bill» (as they used to say). In the next years we all played together in different combinations and permutations including Barry’s London Jazz Composers Orchestra and the Parker-Lytton duo. In 1980 we started to play as the trio Parker-Guy-Lytton."
credits
released February 16, 2018
Evan Parker: Saxophone
Barry Guy: Bass
Paul Lytton: Drums
Music by Evan Parker, Barry Guy, Paul Lytton. Recorded live at Vortex Jazz Club London, July 14, 2016. Digital recording to multi track: Ali Ward. Mixdown to stereo: Sam Parker. Mastering: Adam Skeaping. Post production and editing: Matt Wright and Evan Parker. Liner notes: Evan Parker. Cover art: Trevor Sutton and Ferdinand Penker. Graphic design: Jonas Schoder. Photo: Caroline Forbes. Produced by Evan Parker and Intakt Records, Patrik Landolt.
supported by 22 fans who also own “Music for David Mossman (Live at Vortex London)”
I really appreciate that with such a large group of musicians the overall sound and experience of listening is really spacious, never cluttered. The lovely recording helps that a lot, and of course the compositional aspects that make it breathe are superb- it gets more and more fun as I listen again and again. Jasper Skydecker
supported by 22 fans who also own “Music for David Mossman (Live at Vortex London)”
Total mastery of patience, time, and drama create a constantly engaging journey that never gets tiresome or same-y: in fact the harder you listen the better it gets! Somehow Sorey et al. find a way to combine the deep listening and spontaneous interaction of the best jazz with the sense of every tone and sound being worth a universe of listening, which could be equally from Cage and Feldman or the accompaniment to an ancient ritual.
The recording/engineering is absolutely perfect as well. Giles
supported by 21 fans who also own “Music for David Mossman (Live at Vortex London)”
Verisimilitude was at the top of my "Top Ten Records of 2017".
https://www.poisonpie.com/publishing/reviews/text/musicreview_2017.html
Can't wait for the vinyl version to arrive. Hebeloma Crustuliniforme